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French INTP----

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Posts tagged "history"

ambidexterous:

overanalyticalqueer:

so hey fun fact for anyone who wants queer history trivia: the first disco in Seattle was opened in 1973 and was a gay bar called “shelly’s leg” and it was named after a dancer named shelly who lost her leg in a confetti cannon accident and used the insurance/lawsuit settlement money to open a gay disco.

a) This is such a fantastic story that I wouldn’t care if it were made up, except that

b) upon further research, it does appear to be true

(via faded-mind)

mortuus-lamia:

1. a Piegan Indian with his Medicine Pipe. It was made in 1910 by Edward S. Curtis.
2. Richard White Bull - Oglala - 1899
3. Chiricahuah Apache prisoner of war Isabelle Perico Enjady in a puberty dress, Fort Sill, Oklahoma. 1886-1914
4. Ute woman, Pee-A-Rat and her baby. Photographed: ca. 1899.
5. A beautiful photograph of an indian maiden named “Dusty Dress.” It was taken in 1910 by Edward S. Curtis.
6. Cetan Wakiyan (aka Thunder Hawk) - Hunkpapa - circa 1880

(via czaritsa)

David Hume claimed that to be black was to be “like a parrot who speaks a few words plainly.” And Immanuel Kant maintained that to be “black from head to foot” was “clear proof” that what any black person says is stupid. In his “Notes on Virginia,” Thomas Jefferson wrote: “In imagination they [Negroes] are dull, tasteless and anomalous,” and inferior. In the first American Edition of the Encyclopaedia Britannica (1798), the term “Negro” was defined as someone who is cruel, impudent, revengeful, treacherous, nasty, idle, dishonest, a liar and given to stealing.

My point here is to say that the white gaze is global and historically mobile. And its origins, while from Europe, are deeply seated in the making of America.

Black bodies in America continue to be reduced to their surfaces and to stereotypes that are constricting and false, that often force those black bodies to move through social spaces in ways that put white people at ease. We fear that our black bodies incite an accusation. We move in ways that help us to survive the procrustean gazes of white people. We dread that those who see us might feel the irrational fear to stand their ground rather than “finding common ground,” a reference that was made by Bernice King as she spoke about the legacy of her father at the steps of the Lincoln Memorial.

The white gaze is also hegemonic, historically grounded in material relations of white power: it was deemed disrespectful for a black person to violate the white gaze by looking directly into the eyes of someone white. The white gaze is also ethically solipsistic: within it only whites have the capacity of making valid moral judgments.

Walking While Black in the ‘White Gaze’

By GEORGE YANCY

(via howtobeterrell)

(via rhamphotheca)

greatestgeneration:

A welder at a boat-and-sub-building yard adjusts her goggles before resuming work, October, 1943. By 1945, women comprised well over a third of the civilian labor force (in 1940, it was closer to a quarter) and millions of those jobs were filled in factories: building bombers, manufacturing munitions, welding, drilling and riveting for the war effort.

Bernard Hoffma—Time & Life Pictures/Getty Images
Read more: http://life.time.com/history/world-war-ii-classic-photos-from-the-20th-centurys-defining-conflict/#ixzz2ga3Kp0mp

greatestgeneration:

A welder at a boat-and-sub-building yard adjusts her goggles before resuming work, October, 1943. By 1945, women comprised well over a third of the civilian labor force (in 1940, it was closer to a quarter) and millions of those jobs were filled in factories: building bombers, manufacturing munitions, welding, drilling and riveting for the war effort.

(via curious--mind)

fuckyeahhistorycrushes:

So. If you love the men of the French Revolution as much as I do, then you’ll appreciate these pinups by Dylan Meconis. My favorite of the lot is Marat. What’s yours? ;P

nezua:

sarahkurosawa:

Keiko Fukuda Shihan passed away yesterday at the age of 99. She was the last surviving student of the founder of judo, Jigoro Kano, and the highest ranking female judoka in history. She was promoted to 10th dan (degree) black belt just last year, a rank that at the time was held only by 3 other people, all men living in Japan. Fukuda Shihan left her homeland and refused marriage to achieve her dreams of training in judo, constantly battling gender discrimination which kept her from being promoted as quickly as men less skilled than her. “As far as I know, no one has lived their life completely for judo as I have.”

BAMF.

(via violentcosmos)

lostsplendor:

Chicago Resident Arrested for Length of Swimsuit, 1922 (via Imgur)

(via faded-mind)

jostamon:

Sarla Thakral, first Indian woman pilot (from Vivchavan).

(via saathi1013)

smithsonianmag:

Photos of New York City’s Most Dangerous Neighborhood

“Bandit’s Roost,” pictured above, was once considered the most dangerous part in all of New York City.

Jacob A. Riis was a police reporter in 1877 and decided to document the people living in New York’s East Side slum district. His book, How the Other Half Lives: Studies Among the Tenements of New York, was the result of these photographs and was published in 1890.

Head over to Petapixel for more incredible photographs and info on Riis.

(via czaritsa)

blackinasia:

noseasboba:

I never get tired of this photo.

Ella Fitzgerald was not allowed to play at Mocambo because of her race. Then, one of Ella’s biggest fans made a telephone call that quite possibly changed the path of her career for good. Here, Ella tells the story of how Marilyn Monroe changed her life:

“I owe Marilyn Monroe a real debt… she personally called the owner of the Mocambo, and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him – and it was true, due to Marilyn’s superstar status – that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard. After that, I never had to play a small jazz club again. She was an unusual woman – a little ahead of her times. And she didn’t know it.”

This is how you use your white privilege.

(via upworthy)

thegetty:

Vieille Cour, 22 rue Quincampoix, 1908 or 1912, Eugène Atget. The J. Paul Getty Museum

(via czaritsa)

nationalpost:

Was Bass Reeves — a former slave turned deputy U.S. marshal — the real Lone Ranger?
Art Burton listened intently as the old man on the other end of the phone cleared his throat and began telling him a story. Burton had only been researching the life of Bass Reeves for a short while but that afternoon what Reverend Haskell James Shoeboot, the 98-year-old part-Cherokee Indian, was about to tell him would persuade Burton he had stumbled upon one of the greatest stories never told.

Born in 1838, Bass Reeves was a former slave-turned-lawman who served with the U.S. Marshals Service for 32 years at the turn of the 20th century in part of eastern Oklahoma and western Arkansas known as Indian Territory. Though he was illiterate, Reeves became an expert tracker and detective – a man who, in Burton’s words, “walked in the valley of death every day for 35 years and brought in some of the worst outlaws from that period”.

That afternoon on the phone sometime in the late-1980s, Shoeboot recounted an event he had witnessed with his own eyes in the early-1900s: Shoeboot had been chauffeur to Deputy U.S. Marshal James Franklin “Bud” Ledbetter and early one morning a posse had gathered at Gibson Station, 18 kilometres north of the east Oklahoma town of Muskogee, to track and capture an outlaw. By the middle of the day they hadn’t made any progress and Ledbetter was irate.

“That’s when somebody suggested heading back into town to get Bass Reeves,” Shoeboot told Burton.

By the time Reeves arrived, the sun was setting and Shoeboot saw the outlaw jump up from where he was hiding and begin running across a field. “The posse started shooting but kept missing,” Shoeboot said. Reeves “cooly and calmly told Ledbetter he would break the outlaw’s neck with one shot from his Winchester rifle at a distance of a quarter of a mile.” With that, he took aim and did exactly that.

It reaffirmed what Burton had suspected: that (Armie Hammer’s caucasian portrayal aside in the movie The Lone Ranger) Bass Reeves — perhaps the first black commissioned deputy marshal west of the Mississippi — could well have been one of the greatest lawmen of the Wild West. But most people hadn’t heard of him. Over the next 20 years, Reeves would become an obsession for Burton, culminating in a very interesting hypothesis, which he puts forward in his book Black Gun, Silver Star.

Bass Reeves, he argues, was almost certainly the real-life inspiration for the Lone Ranger.  READ MORE (UNIVERSITY OF OKLAHAMA LIBRARIES / US MARSHALS MUSEUM)

(via saathi1013)